Commissions and World Premieres
BF promotes the creation and performance of new music. In addition to numerous World and US Premieres, the BF Duo Project has commissioned over 40 new works in the past ten years and has given countless performances of these works across the US, Mexico, Germany and France. Stay tuned for new commissions and performances!
Of Wells and Springs, for saxophone and percussion, Judith Shatin, 2023
Tuning In, for saxophone and percussion, George Lewis, 2022
Every Next Day, for saxophone and percussion, Alvin Singleton, 2022
hyder(0)sion, for saxophone and percussion, Emily Koh, 2022
children of loneliness, for saxophone and percussion, Nickitas Demos, 2021
Inflection: One, for saxophone and percussion, Yvonne Wu,. 2021
Composite and Parallax, for saxophone and percussion, Peter Van Zandt Lane, 2020
Mutatis Mutandis, for saxophone and percussion, Dorothy Hindman, 2020
Thirteen for Three Through Five, for saxophone and percussion, Dorothy Hindman, 2019
Auset: Sophia, for Bent Frequency, Colette Coward, 2019
What’s it Worth?, for saxophone and percussion, Dorothy Hindman, 2019
cracks, for saxophone and percussion, Adam Mirza, 2019
Say Her Name, for saxophone and percussion , Dorothy Hindman, 2018
Tenor Love, for saxophone and percussion , Erin Rogers, 2018
Hazy Moonlight, for saxophone, percussion, and electronics, Elainie Lillios, 2017
Hammer Vision, for saxophone and percussion, Zack Browning, 2017
a line broken, traced, for saxophone and percussion, John Liberatore, 2016
AMERICAN BEAUTY, for saxophone and percussion, Lowell Fuchs, 2016
Omnipresent Lion, for saxophone and percussion, Olivia Kieffer, 2016
pent-up, for saxophone and percussion, Adam Scott Neal, 2016
Pied Piper of the Ether, for saxophone, percussion and Theremin, Klimchak, 2015
The Nothing of Roselight, for saxophone, viola, guitar, bass, and percussion, David Brighton, 2015
You Don’t Need Eyes to See, for saxophone and percussion, Amelia Kaplan, 2015
Persecutory Delusions, for saxophone and percussion, Laurent Durupt, commissioned by a grant
from FACE (French American Cultural Exchange), 2015
Oceans of Brightly Colored Broken Glass, for saxophone, percussion and electronics, Mark
Engebretson, commissioned by a grant from the Barlow Foundation, 2015
Child’s Play, for saxophone and percussion, Amy Williams, 2015
Schoolbook Thermodynamics and Ascension, for saxophone and percussion, Paul Elwood, 2015
R.I.P.T., for saxophone and percussion, Dorothy Hindman, 2014
Minimal Suite, for saxophone and percussion, Stefano Pierini, 2014
Oh Popeye!, for saxophone, percussion and electronics, Chris Arrell, 2014
Metta, for saxophone, percussion and electronics, Robert Scott Thompson, 2014
Comala, “Versión Integral” scenic cantata, Ricardo Zohn-Muldoon, 2013
Paint, for saxophone and percussion, Kevin Schlei, 2013
Seven Hills, OH, for saxophone and percussion, Devin Maxwell, 2013
Behemoth, for saxophone and percussion, Roshanne Etezady, 2013
I stood on the shore and looked up at the birds, for saxophone, percussion and electronics, Jeff
Herriott, 2013
Roulettes, for saxophone and percussion, Christopher Burns, 2013
Suite für Sopransaxophon und Marimba, Vivienne Olive, 2013
Coil, Recoil, for saxophone and viola, Carolyn O’Brien, 2012
Filigree and Shadow, for saxophone and viola, Robert Scott Thompson, 2012